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Bangla Poetry of Barun Chandra Pal

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āĻ•āĻŦāĻŋāϤāĻž āϏāĻŽāϝāĻŧ āĻŽāĻžāύ⧇ āύāĻž

āĻŽāĻžāĻĨāĻž āϠ⧁āĻ•āϞ⧇āĻ“ āύāĻž āĻŦ⧇āϰ⧋āϝāĻŧ āĻ•āĻŦāĻŋāϤāĻžāϰ
āĻĒāĻ™āĻ•ā§āϤāĻŋ āĻāĻ•āĻ–āĻžāύāĻŋ;
āĻ•āĻžāĻ•āĻ­ā§‹āϰ āĻĨ⧇āϕ⧇āχ āĻ•āĻžāĻŽāĻĄāĻŧ⧇ āφāĻ›āĻŋ
āϏ⧇āχ āĻĒā§‚āĻ°ā§āĻŖ āĻ•āϞāĻŽāϟāĻž; āĻĒ⧇āϤ⧇ āϏāĻŽā§āϝāĻ•
āύāĻžāĻ¨ā§āĻĻāύāĻŋāĻ• āĻŦāĻ°ā§āĻŖāϞāĻŋāĻĒāĻŋ..
āĻŦāϞāϤ⧇ āĻ•āĻŋ āĻšāϤāĻžāĻļāĻžāϝāĻŧ āϘ⧁āĻŽāĻŋāϝāĻŧ⧇ āĻĒāĻĄāĻŧ⧇āĻ›āĻŋ āĻĒ⧁āύāĻ°ā§āĻŦāĻžāϰ!

āϕ⧋āĻĨāĻžāĻ“ āϝāĻžāĻ“āϝāĻŧāĻžāϰ āϤāĻžāĻĄāĻŧāĻž āĻšāĻžāρāϟāĻ›āĻŋ
āĻŽā§‡āĻ ā§‹ āφāϞāĻĒāĻĨ āĻŦ⧇āϝāĻŧ⧇;
āĻĻ⧁āĻŽā§ āĻ•āϰ⧇ āϭ⧇āϏ⧇ āωāĻ āϞ⧋ āĻŽāĻžāύāϏāύ⧇āĻ¤ā§āϰ⧇
āϚāĻŋāĻ¤ā§āϰāĻ•āĻ˛ā§āĻĒ āϏāĻŽā§āĻŦāϞāĻŋāϤ āĻāĻ•āϰāĻžāĻļ āĻ›āĻŦāĻŋ!
āϧāϰāĻž āĻĻāĻŋāϤ⧇ āϚāĻžāχāϛ⧇ āĻŽāύ⧇āϰ āϏ⧁āĻ¤ā§‹ā§Ÿ āĻŦāĻžāρāϧāĻž āĻĒāĻĄāĻŧāϤ⧇
āφāĻŽāĻŋ āϤāĻ–āύ āĻĢāĻŋāϰāĻžāχ āĻĢāĻŋāϰāĻžāχ āĻ•āĻŋ āĻ•āϰ⧇?

āĻ­āĻžāĻ™āĻžāĻ•āϞ⧇ āωāĻĒāϛ⧇ āĻĒāĻĄāĻŧāϛ⧇ āϝ⧇āĻŽāύ
āĻšāĻĄāĻŧāĻĒāĻž āĻŦāĻžāύâ€Ļ

āĻŦāĻžāϏāĻŋ āĻ­āĻžāϞ⧋ āĻ…āϤāϟāĻžāχ

āφāϙ⧁āϞ āϛ⧁āĻā§Ÿā§‡ āϜāϞ āĻŽāĻžāĻĒāĻ›āĻŋ
āĻŦ⧁āĻāϞ⧇ āĻ—ā§‹ āϰāĻžāϧāĻž,
āĻĒāĻžāĻĒ āĻŦā§‹āϧ āύ⧇āχ āφāĻŽāĻžāϰ
āϏāĻžāĻĻāĻž āĻŽāύ⧇ āĻ•āĻžāĻĻāĻž?

āĻŦāĻžāϏāĻŦā§‹ āĻ­āĻžāϞ⧋ āύāĻŋāĻ°ā§āϜāύ āĻāĻ•āĻžāϕ⧀
āύāĻž āĻĻ⧇āĻŦā§‹ āĻ­āĻžāĻ—,
āĻĒā§‹āĻĄāĻŧāĻž āĻœā§€āĻŦāύ⧇ āĻ›āĻžāϝāĻŧāĻž āϰ⧇āĻ–ā§‹
āĻāϟ⧁āϕ⧁āχ āϤ⧋ āĻ…āύ⧁āϰāĻžāĻ—?

āĻ­āĻžāĻŦāĻ›āĻŋ āĻ­āĻžāĻŦāĻ›āĻŋ āĻŦāϞāϛ⧋ āϤ⧁āĻŽāĻŋ
āĻšā§ƒāĻĻāϝāĻŧ āφāϰ āĻŽāĻžāύ⧇,
āĻĒāϰāϕ⧀āϝāĻŧāĻžāϝāĻŧ āĻšāĻŦ⧇ āϛ⧋āĻŸā§āϟ āĻĻāĻžāĻ—
āϏāĻŦāĻžāχ āĻ•āĻĨāĻžāϟāĻž āϜāĻžāύ⧇?

āĻ›āĻŋāϞ⧇ āĻ…āĻ¨ā§āϤāϰāĻžāϞ⧇ āύāĻžāĻšāϝāĻŧ āĻĨ⧇āϕ⧋āĻ“ āϚāĻŋāϰāĻ¨ā§āϤāύ
āĻĻāĻ‚āĻļāύ⧇āĻ“ āϰāĻžāĻ–āϤ⧇ āĻĒāĻžāϰāĻŋ āĻāχ āĻ…āϟ⧁āϟ āĻŦāĻ¨ā§āϧāύ!

āĻļ⧇āώ āĻŽā§āĻšā§‚āĻ°ā§āϤ⧇

āĻ–āĻžāĻĒ⧇ āĻĸāĻžāĻ•āĻž āĻŦāĻžāρāĻ•āĻž āϤāϞ⧋āϝāĻŧāĻžāϰ āĻĨ⧇āϕ⧇
āĻŸā§‡āύ⧇ āĻāύ⧇ āϤ⧀āĻ•ā§āĻˇā§āĻŖ āĻšāĻžāϤāĻŋāϝāĻŧāĻžāϰ;
āĻŽāĻžāχāϰāĻŋ āĻŦāϞāĻ›āĻŋ āĻ—ā§‹ āϏāĻ–āĻž āφāĻŽā§‚āϞāĻŦāĻŋāĻĻā§āϧ āĻ•āϰ⧇ āϝāĻĻāĻŋ
āύāĻŋāϤ⧇ āĻĒāĻžāϰāĻŋ āĻĒā§āϰāϤāĻŋāĻļā§‹āϧ āϏāĻŦāϟ⧁āϕ⧁â€Ļ
āϕ⧇āĻĄāĻŧ⧇ āϖ⧇āϝāĻŧ⧇ āĻ•āϰ⧇āϛ⧇ āĻ—āϰāĻŋāĻŦ⧇āϰ āϏāĻ°ā§āĻŦāύāĻžāĻļ
āĻ…āϤāσāĻĒāϰ āĻ•āĻžāĻ•ā§āώāĻŋāϤ āϏāĻŽāĻžāĻĒāύ⧇ āĻŦ⧇āϛ⧇ āύ⧇āĻŦā§‹ āφāĻŽāĻžāϰ
āĻ—āĻ°ā§āĻŦ⧇āϰ āĻŦāύāĻŦāĻžāϏ!

āϝ⧇āϤ⧇ āĻšāϝāĻŧ āϛ⧇āĻĄāĻŧ⧇ āϛ⧁āρāĻĄāĻŧ⧇ āϝāĻžāĻŦā§‹ āĻāχ āĻĒā§āϰāĻŋ⧟ āĻŽāĻžāϟāĻŋ
āĻŽāύ⧇ āĻļāĻžāĻ¨ā§āϤāĻŋāϤ⧇ āϤāĻžāĻšāϞ⧇āĻ“ āϤāĻžāĻšāϞ⧇āĻ“,
āĻĒāĻžāĻĨāϰ āϚāĻžāĻĒāĻž āϏāĻŽāĻžāĻœā§‡āϰ āĻĻā§€āύāϗ⧁āϞ⧋āϰ āĻŽā§āϖ⧇ āĻšāĻžāϏāĻŋ āĻĢ⧁āϟāĻŦ⧇?
āϝāĻžāϝāĻŧ āϝāĻžāĻ•ā§ āĻ›āĻŋāρāĻĄāĻŧ⧇ āĻŽā§‹āĻšāĻĄā§‹āϰ āĻŦāĻŋāĻĻāĻžāϝāĻŧ⧇āϰāĻ“ āĻ¸ā§āĻŦāϰāϞāĻŋāĻĒāĻŋ
āĻĒāϰ⧋āϝāĻŧāĻž āĻ•āϰāĻŋāύāĻž āχāĻšāϞ⧋āϕ⧇āϰ āĻ•āĻžāϤāϰāϤāĻž; āĻĒāϰāϜāĻ¨ā§āĻŽā§‡āϰ
āϜāĻ¨ā§āϝāĻ“ āύāĻž āĻœā§āĻŦāĻžāϞ⧁āĻ• āϕ⧇āω āφāĻŽāĻžāϰ āύāĻžāĻŽā§‡āĻ“ āĻ¸ā§āĻŦāĻ°ā§āĻ—āĻŦāĻžāϤāĻŋ!

āĻšāĻžāϤāϤāĻžāϞāĻŋ āĻĻāĻŋāϤ⧇ āĻĻāĻŋāϤ⧇ āĻšāĻžāϏāĻŦā§‹ āύāĻŋāĻœā§‡āχâ€Ļ
āĻ…āĻ¨ā§āϤāϤāσ āĻļ⧇āώ āĻŽā§āĻšā§‚āĻ°ā§āϤ⧇ āφāĻŽāĻŋāώ āĻĒā§āϰāϤāĻŋāĻŦāĻžāĻĻā§€ āĻšāϤ⧇ āĻĒ⧇āϰ⧇āĻ›āĻŋ?

āĻ­āĻžāĻ—ā§āϝāĻŋāĻ¸ā§ āĻļā§€āϤāϟāĻž āĻāϞ⧋āϰ⧇ āĻ–ā§‹āĻ•āĻž

āĻļ⧇āώāĻžāĻ¨ā§āϤ āĻšā§‡āĻŽāĻ¨ā§āϤ⧇ āĻĒ⧌āρāϛ⧋āϤ⧇āχ āφāύāĻ¨ā§āĻĻ
āϧāϰ⧇ āύāĻž āφāĻŽāĻžāϰāĨ¤
āϕ⧀ āĻļā§€āϤāĻ•āĻžāϤ⧁āϰ⧇ āĻŽāĻžāχāϰāĻŋ āϤ⧁āĻŽāĻŋ
āĻĒ⧇āϤ⧇ āϏāĻ°ā§āĻŦāĻžāĻ™ā§āĻ— āωāĻˇā§āĻŖāϤāĻž āϜāĻĄāĻŧāĻŋāϝāĻŧ⧇ āϧāϰāϛ⧋
āϤ⧁āϞ⧋āĻ­āϰāĻž āϞ⧇āĻĒ⧇āϰ āĻŽāϤāύ āĻĒā§āϰāĻ•āĻžāĻļā§āϝ⧇ āφāĻŽāĻžāϕ⧇āχ

āϖ⧇āϝāĻŧāĻžāϞ⧇ āĻŽā§‡āĻĒ⧇ āϚāϞ⧇āĻ›āĻŋ āĻ­ā§€āώāĻŖ āĻĻāĻžāĻŦāĻĻāĻžāĻšā§‡āĻ“
āύāĻž āĻĒāĻžāĻ¤ā§āϤāĻž āĻĻāĻŋāϤ⧇ āωāĻ¨ā§āύāĻžāϏāĻŋāĻ•āϤāĻžāϝāĻŧāĨ¤
āĻŦāϰāĻ‚ āĻŦāϞāϤ⧇ āϏ⧁āχāϚāϟāĻž āĻĻ⧇āϤ⧋ āϰ⧇ āĻ–ā§‹āĻ•āĻž..
āĻŦāĻžāĻĄāĻŧāĻŋāϝāĻŧ⧇ āĻāϏāĻŋāϰ āĻ¸ā§āĻĒā§€āĻĄāϟāĻž āϤ⧋āϰ āĻŦāĻžāĻĒ⧇āϰ āφāĻŦāĻžāϰ
āϏāĻ°ā§āĻĻāĻŋāϰ āϧāĻžāϤ āĻĒāĻžāĻļāϘāϰ⧇āϰ āϚ⧌āĻ•āĻŋāϟāĻžāϤ⧇ āϝ⧇āύ āϘ⧁āĻŽā§‹āϝāĻŧ?
āĻļāĻ°ā§āϤ āϰāĻžāĻ–āϤāĻžāĻŽ āĻ•āĻžāϰ⧇āĻ¨ā§āϟ āĻ…āĻĢ⧇āĻ“ āĻšāĻžāϤāĻĒāĻžāĻ–āĻžāϟāĻž āĻŽāĻžāύāϤ⧇ āύāĻž!

āĻāĻ–āύ āϏ⧇ āϏāĻŦ āϭ⧁āϞ⧇ āĻŦāϞāϛ⧋: ‘āĻ“āĻ—ā§‹ āϤ⧁āĻŽāĻŋ
āĻŦāĻŋāĻĒāĻĻ āϏāĻŽāϝāĻŧ āĻĒāĻžāĻļ⧇ āĻĨāĻžāϕ⧇ āϏ⧇āχāϤ⧋ āĻĒāϰāĻŽ āĻ¸ā§āĻŦāĻžāĻŽā§€!’

āĻĒā§āϰ⧇āĻŽ āĻŽāϰ⧇ āύāĻž āĻ•āĻ–āύ⧋

āφāĻŽāĻžāϤ⧇āχ āφāĻ›āĻŋ āφāĻŽāĻŋ
āĻ āĻžāρāχ āĻĻāĻžāρ⧜āĻŋā§Ÿā§‡āĨ¤
āĻŦāĻŋāĻšā§āĻŦāϞ⧇ āĻŽāĻŋāϛ⧇āĻŽāĻŋāĻ›āĻŋ āϤ⧁āĻŽāĻŋ
āϝāĻžāĻšā§āϛ⧋ āĻšāĻžāϰāĻŋāϝāĻŧ⧇?

āφāϛ⧇ āϝ⧌āĻŦāύ⧇āϰ āφāĻœā§‹
āϏ⧇āχ āϟāĻžāύāĨ¤
āĻ—āĻ¨ā§āϧ⧇ āĻŽā§ƒāĻ—āύāĻžāĻ­āĻŋ āϚ⧁āĻŽāĻŋ
āĻāϏ⧋ āϧāĻžāĻŦāĻŽāĻžāύ!

āύāĻž āĻŽāϰ⧇ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻž
āĻŽāϜāĻž āύāĻĻā§€āϤ⧇āĻ“āĨ¤
āϞ⧁āĻ•āĻŋāϝāĻŧ⧇ āĻ•āĻžāρāĻĻ⧇ āϭ⧇āϤāϰ⧇
āĻŦāĻŋāĻšā§€āύ āĻ¸ā§āϰ⧋āϤ⧇āĻ“āĨ¤

āωāĻ¨ā§āĻŽā§āĻ– āĻŦ⧃āĻ•ā§āώ⧇ āĻ•āĻŋāĻļāϞāϝāĻŧ
āĻāĻŽāύāĻŋ āĻāĻŽāύāĻŋāĨ¤
āϰāĻžāĻ–ā§‹ āĻļ⧁āĻˇā§āĻ• āĻļāĻžāϖ⧇
āϕ⧋āĻŽāϞ āĻšā§ƒāĻĻāϝāĻŧāĻ–āĻžāύāĻŋ?

āĻĒāĻŋāϏāĻŋāϰ āĻ•āĻĨāĻžā§Ÿ

āϭ⧇āĻŦ⧇ āĻĻ⧇āϖ⧇āϛ⧋ āĻ•āĻĨāĻžāϟāĻž āĻšāϰāĻŋāĻšāϰ
āύāĻž āϰ⧇āϖ⧇ āĻ•āĻžāύāĻžāĻ•āĻĄāĻŧāĻŋ;
āĻĢ⧇āϞ⧇ āϝāĻžāĻšā§āϛ⧋ āϏāĻ°ā§āĻŦāϜāϝāĻŧāĻžāϕ⧇ āĻāĻ•āĻžāϕ⧀

āĻ•āĻžāĻ›āĻžāĻ•āĻžāĻ›āĻŋ āύ⧇āχ āφāϰ⧋āĻ—ā§āϝ āύāĻŋāϕ⧇āϤāύ
āĻŦāωāϟāĻž āĻĒā§‹āϝāĻŧāĻžāϤāĻŋ āĻ–āĻžāĻšā§āϛ⧇ āĻļāĻžāĻ•āϏ⧇āĻĻā§āϧ;
āĻĒā§āϰāϜāĻ¨ā§āĻŽāϕ⧇āĻ“ āĻļ⧇āĻ–āĻžāĻšā§āϛ⧋ āĻ­āĻŋāĻ•ā§āώ⧁ āĻŦ⧃āĻ¤ā§āϤāĻŋāϰ āϏāĻšāϜ āĻ¸ā§āĻŦāϰāϞāĻŋāĻĒāĻŋ!

āĻ•āĻžāĻļā§€āĻŦāĻžāϏāĻŋ āĻšāϤ⧇ āĻĒāĻžāϰāϞ⧇āχ āĻŦāĻŋāĻ¨ā§āĻĻāĻžāϏ āϤ⧁āĻŽāĻŋ
āĻĒāϞāĻžāϝāĻŧāύ āωāϚāĻžāϟāύ⧇; āϏāĻ¨ā§āĻ¨ā§āϝāĻžāϏ āύāĻž āύāĻŋāϝāĻŧ⧇ āĻ—ā§ƒāĻšā§€ āϕ⧇āύ āĻšāϞ⧇?

āĻĨāĻžāϕ⧇ āĻ•āĻŋāϛ⧁ āĻŦ⧇āĻĻāύāĻžāϰ āϚāĻžāĻĒ āϝ⧋āĻ—ā§āϝāϤāĻžāϰāĻ“
āĻĻāĻžāρāĻĄāĻŧāĻŋāϝāĻŧ⧇āϛ⧋ āϭ⧁āϞ⧇āĻ“ āφāϝāĻŧāύāĻžāϰ āϏāĻžāĻŽāύ⧇ āϕ⧋āύ⧋āĻĻāĻŋāύ
āĻŽā§‡āĻĒ⧇āϛ⧋ āϭ⧇āϤāϰ⧇āϰ āĻļāĻ•āϤāĻŋ?

āĻ›āĻžāĻĄāĻŧā§‹ āϞāĻžāϜ āĻŦā§āϝāĻŦāϏāĻžāϰ āĻ–āĻžāϤāĻŋāϰ⧇
āωāĻĒāĻžāϝāĻŧ āĻŦāĻžāϤāϞ⧇āϛ⧇āύ āĻĒāĻŋāϏāĻŋ; āĻĻ⧇āĻ–āĻŦ⧇ āĻŽā§āĻ–â€Ļ
āĻ–āĻŋāϞāĻžāύ āĻ…āĻŸā§āϟāĻžāϞāĻŋāĻ•āĻžāϏāĻš āĻā§āϞ āĻŦāĻžāϰāĻžāĻ¨ā§āĻĻāĻž

āϤ⧁āĻŽāĻŋ āĻ—āϰāĻŽ āĻ—āϰāĻŽ āϚāĻĒā§ āĻ­āĻžāĻœā§‹ āϤ⧋ āĻĻ⧇āĻ–āĻŋ?

āϞ⧋āϕ⧇ āĻŦāϞ⧁āĻ•

āĻŽāĻŋāĻĨā§āϝāĻž āĻĸāĻžāĻ•āϤ⧇ āĻĒā§āϰāϞ⧇āĻĒ āĻĒāϞ⧇āĻ¸ā§āϤāĻžāϰāĻžāϝāĻŧ āφāĻļā§āϰāϝāĻŧ āύāĻŋāϤ⧇
āĻļāĻŋāĻ–āĻŋāύāĻŋ āĻ•āĻ–āύ⧋; āĻĨ⧇āϕ⧇āĻ›āĻŋ āĻĻā§‚āϰāĻ¤ā§āĻŦ⧇â€Ļ
āĻšā§‹āĻ• āĻŦ⧁āĻ•āϚāĻžāĻĒāĻž āĻ•āĻˇā§āϟ āĻŦāϝāĻŧ⧇āĻ›āĻŋ āĻāĻ•āĻž
āϤāĻžāĻšāϞ⧇ āϤāĻžāĻšāϞ⧇āĻ“;
āĻĒāĻžāϰāĻŋāύāĻŋ āϏāĻ–ā§āϝāϤāĻž āĻ•āϰāϤ⧇ āĻ…āĻ¨ā§āϝāĻžāϝāĻŧ āϏāĻ™ā§āĻ— āφāĻĻ⧌

āĻ āφāĻŽāĻžāϰ āφāĻĻāĻ°ā§āĻļāĻ—āϤ āĻ—ā§‹āĻĒāύ āϚāĻžāĻŦāĻŋ
āϏāĻžāĻšāϏ⧀ āϏāĻžāϜāϤ⧇ āĻ…āĻĨāĻŦāĻž āĻĢāĻžāϞāϤ⧁ āĻ—ā§‹āρāϝāĻŧāĻžāϰ āĻŦāϞ⧇
āĻ…āĻ­āĻŋāĻšāĻŋāϤ āĻ•āϰ⧋ āĻĻāĻŋāϤ⧇ āĻĒāĻžāϰāĻŋ āϏāĻšāϜ āωāĻ¤ā§āϤāϰāϟāĻž:
‘āύāĻž āĻŽāĻžāϰ⧋ āĻ—āϞāĻžāϟāĻŋāĻĒ⧇ āφāĻŽāĻžāϕ⧇ āφāĻŽāĻžāϰ āϏāĻ¤ā§āĻ¤ā§āĻŦāĻž āϕ⧇āĻĄāĻŧ⧇ āύāĻŋāϝāĻŧ⧇
āĻŦāĻžāύāĻžāĻ“ āĻ­āĻŋāĻ–āĻžāϰāĻŋ; āφāĻ›āĻŋāϤ⧋ āĻŦ⧇āρāĻšā§‡ āĻ āϏāĻŽā§āĻŦāϞ⧇āχ?’

āϞ⧋āĻ­ āύ⧇āχ āĻšāĻžāϤāϤāĻžāϞāĻŋāϰ āĻāĻ•āĻĢā§‹āρāϟāĻžāĻ“
āύāχ āφāĻŽāĻŋ āĻ•āĻžāĻ™āĻžāϞ āĻ…āϤ⧋āϟāĻžāχ;
āĻšā§‡āϝāĻŧ⧇āĻ›āĻŋ āĻĨāĻžāĻ•āϤ⧇ āĻ…āύ⧁āĻ•ā§āώāĻŖ āϜāĻžāĻĒāĻŸā§‡ āĻŦā§‹āϧāĻŋāĻŽā§‚āϞ⧇āϰ āĻļāĻŋāĻ•āĻĄāĻŧ..
āĻ…āύāĻ¨ā§āϤ āĻŦāĻŋāĻļā§āĻŦ āϚāϰāĻžāϚāϰ⧇āϰ āϏāĻ¤ā§āϝ⧇āϰ āφāϞ⧋āϕ⧇!

āϞ⧋āϕ⧇ āĻŦāϞ⧁āĻ•: ‘āĻšāĻžāϰāĻžāύ āĻĻāĻžāϏ āĻāĻ•āĻ–āĻžāύāĻž āĻŽāϰāĻĻ āĻŦāĻŸā§‡?’

āϤ⧁āĻŽāĻŋ āĻŽāĻžāχāϰāĻŋ āĻŦāϞ⧇āϛ⧋ āĻ­āĻžāϞ⧋

āĻ…āϏāĻ‚āϞāĻ—ā§āύāϤāĻž āϜāĻ¨ā§āĻŽ āϜāĻ¨ā§āĻŽ āĻĻāĻŋāĻšā§āϛ⧇ āĻāĻ• āĻŦā§‹āϧ⧇āϰ

āϤ⧁āĻŽāĻŋ āĻŦāĻžāĻĒ⧁ āĻ­āϝāĻŧ āĻ•āϰ⧋āύāĻž āϤ⧋ āĻ…āϤāĻļāϤ
āĻœā§‡āύ⧇āĻļ⧁āύ⧇ āϜāĻžāĻĒāĻŸā§‡ āĻĨāĻžāĻ•āϞ⧇ āϜāϟāĻŋāϞāϤāĻž;
āϖ⧁āϞāĻŦ⧇āχ āĻ‰ā§ŽāϏāĻŽā§āĻ– āĻ āφāĻŽāĻŋ āĻœā§‹āϰ⧇āϰ āϏāĻ™ā§āϗ⧇āχ
āĻŦāϞāϤ⧇ āĻĒāĻžāϰāĻŋ āĻŽāĻŋāϞāĻŋāϝāĻŧ⧇ āύ⧇āĻŦ⧇ āφāĻŽāĻžāϰ ‘āϏāĻžāϚ āĻ•āĻž āĻŦāĻžāϤ!’

āϖ⧇āϝāĻŧ⧇ āĻĒ⧇āϟ āĻ­āĻžāϰ āĻšāϞ⧇ āĻŦ⧇āĻšāĻŋāϏāĻžāĻŦā§€ āĻ–āĻžāύāĻŋāĻ•
āĻĒāĻžāϰāϞ⧇ āĻ—āϞāĻžāϝāĻŧ āĻĸāĻžāϞ⧋ āĻāĻ• āĻ›āϟāĻžāĻ• āϏ⧋āĻĄāĻž;
āĻĸ⧁āϕ⧁āĻĸ⧁āϕ⧁ āϏāĻžāĻšā§āĻŦāĻžāϞāĻĻ āύāĻŋāύāĻžāĻĻ⧇â€Ļ
āĻŦāĻžāĻĄāĻŧāϞ⧇ āĻŦāĻžāĻĄāĻŧ⧁āĻ• āϕ⧁āĻĄāĻŧāĻŋāϝāĻŧ⧇ āĻĒāĻžāĻ“āϝāĻŧāĻž āĻšā§‹āĻĻā§āĻĻ āφāύāĻž
āĻĒāĻĨ āϚāϞāϤāĻŋāϰ āĻĻ⧌āϞāϤ⧇ āĻāĻ•āϟ⧁āĻ•āϰ⧋ āφāϝāĻŧ
āĻšāĻž -āĻĒāĻŋāĻ¤ā§āϝ⧇āĻļ āϗ⧁āĻŽāϟāĻŋāĻ“āϝāĻŧāĻžāϞāĻžāϰ āĻĻ⧁’āĻĒāϝāĻŧāϏāĻž?

āϝāĻžāĻ¤ā§āϰāĻž āĻĒāĻžāϞāĻžāϰ āĻāĻ•ā§āĻŦāĻžāĻ¸ā§; āĻļ⧇āώ āĻ•āĻ¤ā§āϤāĻžāϞâ€Ļ
āύāĻž āĻŦāĻžāϜāĻž āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āφāϏāύ āϕ⧇āω āĻ›āĻžāĻĄāĻŧ⧇?

āϏ⧃āĻˇā§āϟāĻŋāϟāĻžāχ āĻ…āĻšāĻ‚āĻ•āĻžāϰ⧇āϰ

āϚ⧁āĻĒā§ āĻ•āĻĨāĻž āĻĢāĻžāρāĻ•āĻŋ āύāϝāĻŧ āĻŦāĻžāρāĻļāĻŋāϟāĻžāϰ
āĻ…āĻšāĻ‚ āĻŽāĻžāύ⧇āχ āωāĻ°ā§āĻŦāĻļā§€āϰ āĻšāĻžāϏāĻŋāϟāĻžāĨ¤
āĻĻāĻžāρāĻĄāĻŧ āϟāĻžāύ⧇ āύ⧌āϕ⧋āϰ āĻŽāĻžāĻāĻŋ āĻ­āĻžāχ
āĻšāĻŋāϏ⧇āĻŦāĻŋ āύāĻžāĻšāϞ⧇ āĻĄā§āĻŦ⧇ āĻŽāϰ⧇ āϝāĻžāĻ¤ā§āϰ⧀!

āĻĒ⧁āϞāĻŋāĻļāϟāĻžāχ āĻšā§‹āϰ āϧāϰ⧇; āĻšā§‡āρāϚāĻžāϞ⧇āĻ“..
āĻ•āĻĨāĻž āĻ•āϝāĻŧ āϞāĻŋāĻ“āύāĻžāĻ°ā§āĻĻā§‹ āĻ­āĻŋāĻžā§āϚāĻŋ āύāĻž āĻĨāĻžāĻ•āϞ⧇
āφāρāĻ•āϤ⧋ āϕ⧇ āĻŽā§‹āύāĻžāϞāĻŋāϏāĻžāϰ āĻ›āĻŦāĻŋāϟāĻž?
āĻĒā§‚āĻ°ā§āĻŖāϤāϰ āύ⧋āĻŦ⧇āϞ āĻĒ⧇āϞ⧋ āĻ­āĻžāϰāϤ
āϕ⧇āϰāĻžāĻŽāϤāĻŋ āύāϝāĻŧ āĻ•āĻŽ; āϏ⧇āĻ“āϤ⧋
āϰāĻŦāĻŋāϰ āĻ…āĻšāĻ‚āĻ•āĻžāϰ āφāĻŽāĻžāĻĻ⧇āϰāĻ“āĨ¤

āĻĒāĻĨ⧇āϰ āĻĒāĻžāρāϚāĻžāϞ⧀ āφāύ⧇ āϝāϤ āĻ…āĻ¸ā§āĻ•āĻžāϰ
āĻ•āϰ⧋ āĻĢāĻŋāϏāĻĢāĻžāϏ āϏāĻ¤ā§āϝāϜāĻŋāϤāĻ“ āĻ•āĻŽ āύāĻž?
āĻ•āĻžāĻĻāĻžāĻŽāĻžāĻ–āĻž āϏāĻžāϰāĻžāĻ—āĻžāϝāĻŧ āϚāĻžāώāĻŋāϰ āĻšāĻŋāĻŽā§āĻŽāϤ
āĻ—āĻžāρāĻĨāĻž āφāϛ⧇ āĻŽā§‚āϞāϧāύ āϭ⧇āϤāϰ⧇āϰâ€Ļ
āĻ›āĻžāĻĒāĻŋāϝāĻŧ⧇ āϏāĻŦāĻ•āĻŋāϛ⧁ āĻĢāϏāϞāϟāĻžāχ āĻ—āĻ°ā§āĻŦ!

āĻāχāϝ⧇ āϞāĻŋāϖ⧇ āϚāϞāĻŋ āϤ⧁āĻŽāĻŋ āφāĻŽāĻŋ āφāύāĻŽāύ⧇
āϖ⧁āρāĻœā§‡ āϖ⧁āρāĻœā§‡ āĻŦā§‹āϧ⧇āϰ āĻļāĻŋāĻ•āĻĄāĻŧ;
āϜāϞāĻ­āĻžāϤ āĻĢāĻžāϞāϤ⧁ āĻāĻ•āĻŦāĻžāϰ⧇āϰ āĻ āĻŋāĻ•āĻžāύāĻž?
āϏ⧃āĻˇā§āϟāĻŋ āĻŦāϞāϤ⧇āχ āĻŽāϰāĻŽā§€ āĻŦ⧃āĻˇā§āϟāĻŋ āύāĻž āύāĻžāĻŽāϞ⧇..
āĻœā§€āĻŦāύāϟāĻžāχ āĻšāϝāĻŧ⧇ āϝ⧇āϤ⧋ āĻ›āĻžāϰāĻ–āĻžāϰ!

āĻŦāĻžāĻ—āĻŋāϚāĻž āφāϛ⧇ āϏāĻžāϜāĻžāύ⧋ āϤāĻžāρāϰāχ āύāĻŋāĻ°ā§āĻĻ⧇āĻļ⧇
āĻĒāĻžāĻĨāϰ⧇āĻ“ āĻĢ⧁āϞ āĻĢā§‹āĻŸā§‡ āĻļāĻŋāĻļāĻŋāϰ⧇āϰ āφāĻŦ⧇āĻļ⧇!

āϏāĻ¤ā§āϝāĻŋ āĻŦāϞāĻ›āĻŋ āĻ—ā§‹ āĻŦāω

āφāĻŽā§ƒāĻ¤ā§āϝ⧁ āϏāĻ™ā§āϗ⧇ āĻĨ⧇āϕ⧋
āĻ“ āϏ⧇āĻœā§‹ āĻŦāω;
āĻŦāχāϤ⧇ āύāĻžāϰāĻŋ āĻĻ⧁āσāĻ– āĻĒāĻžāĻĨāϰ
āφāϘāĻžāϤ āĻĸ⧇āωāĨ¤

āφāĻŽāĻŋ āĻŦāĻžāĻĒ⧁ āĻ•āĻŋāĻ¨ā§āϤ⧁ āϏāϰāϞ
āĻŽāύ⧇ āφāϛ⧇ āĻœā§‹āϰ;
āĻ•āĻžāϞāϰāĻžāĻ¤ā§āϰāĻŋ āĻ›āĻŋāύāĻŋāϝāĻŧ⧇ āĻāύ⧇āĻ›āĻŋ
āĻ¸ā§āĻŦāĻĒā§āύ āφāϞ⧋āϰ āĻ­ā§‹āϰāĨ¤

āĻāχāϝ⧇ āĻŽāĻžāύ⧁āώ āϤ⧁āĻŽāĻŋ āφāĻŽāĻŋ
āύāĻžāχ āĻŽāϝāĻŧāϞāĻž āĻ–āĻžāĻĻ;
āĻ ā§‹āĻ•āĻžāϠ⧁āĻ•āĻŋ āύāĻž āĻŦāĻžāĻĄāĻŧ⧁āĻ• āϝāĻ¨ā§āĻ¤ā§āϰāĻŖāĻž
āĻŽā§āĻ– āϘ⧁āϰāĻžāύ⧋ āĻŦāĻŋāĻŦāĻžāĻĻ!

āϏ⧁āĻ– āφāϏāϞ⧇ āĻŦāĻ“āϝāĻŧāĻž āĻ¸ā§āϰ⧋āϤ
āĻŽāĻŋāĻˇā§āϟāĻŋ āϜāϞ⧇āϰ āĻ¸ā§āĻŦāĻžāĻĻ;
āχāĻšā§āϛ⧇āĻĒā§‚āϰāĻŖ āĻŽāύ āĻ…āĻ­ā§€āĻĒā§āϏāĻž
āφāĻŽā§āϰāĻĢāϞ⧇āϰ āϏāĻžāϧāĨ¤

āϞ⧋āϕ⧇ āĻŦāϞ⧇ āϧāĻ¨ā§āϝ āϜ⧁āϟāĻŋ
āĻ—āĻ°ā§āĻŦ āĻāĻŽāύāχ;
āϚāĻŋāĻŦ⧁āĻ• āϛ⧁āĻā§Ÿā§‡ āĻŦāϞāĻ›āĻŋ āĻŦāω
āĻ­āĻžāĻ—ā§āϝāĻŦāĻžāύ āφāĻŽāĻŋāχ!

āĻŽāύ āĻŽā§‡āϤ⧇āϛ⧇ āύāĻŦāĻžāĻ¨ā§āύ⧇

āĻļā§āϰāĻžāĻŦāĻŖ āĻŦāĻ°ā§āώāĻŖ āĻļ⧇āώ āĻ•āĻ°ā§āĻĻāĻŽāĻžāĻ•ā§āϤ āĻĒ⧇āϰāĻŋāϝāĻŧ⧇ āĻŽāĻžāχāϞ āĻŽāĻžāχāϞ
āĻāϏ⧇āĻ›āĻŋ āĻšā§ˆāĻŽāĻ¨ā§āϤāĻŋāĻ• āĻĒā§āϰāĻ­āĻžāϤ⧀ āϚ⧌āĻ•āĻžāĻ  āĻĻā§āĻŦāĻžāϰ⧇āĨ¤
āϝ⧇āĻ–āĻžāύ āĻ–āĻžāĻŽāĻžāϰ āĻ—āĻšā§āĻ›āĻŋāϤ āϰ⧂āĻĒā§‹āϞ⧀ āϧāĻžāĻ¨ā§āϝāϗ⧁āĻšā§āĻ› āĻšāĻžāϏ⧇
āφāϏāĻ¨ā§āύ āύāĻŦāĻžāĻ¨ā§āĻ¨ā§‹ā§ŽāϏāĻŦ⧇āϰ āĻ­ā§‹āĻ—ā§āϝ āĻŽāĻ°ā§āϝāĻžāĻĻāĻžāϝāĻŧāĨ¤

āĻ–ā§‹āĻ•āĻž āĻŦāϞ⧇: āĻĒāϰāĻŽāĻžāĻ¨ā§āύ āϤ⧋ āĻšāĻŦ⧇āχ āĻŽāĻžāĻ—ā§‹!
āϏ⧁āĻŦāĻžāϏāĻŋāϤ āĻ…āĻ˜ā§āϰāĻžāϪ⧇ āĻšā§‹āĻ• āϕ⧋āĻŽāϞ āĻ˜ā§āϰāĻžāϪ⧇āϰ āĻ—āĻŖā§āĻĄāĻž
āϚāĻžāϰ⧇āĻ• āĻĒāĻŋāĻ āĻž āĻ—āϰāĻŽ āĻ—āϰāĻŽāĨ¤
āϭ⧇āϤāϰ⧇ āϰāĻžāĻ–ā§‹ āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻŽā§āĻ ā§‹āĻ­āϰāĻž āĻ•ā§āώ⧀āϰāĨ¤
āĻ•āĻŽ āĻĒāĻĄāĻŧāϞ⧇ āφāύāϤ⧇ āϝāĻžāĻŦā§‹ āύāĻžāĻšāϝāĻŧ āĻļāĻ•ā§āϤāĻŋāĻ—āĻĄāĻŧ⧇āϰ
āύ⧋āϤ⧁āύ āϜāĻ‚āĻļāύ⧇?

āϚāĻžāώāĻŋ āĻŦāωāĻ“ āφāĻŽāĻ¨ā§āĻ¤ā§āϰāĻŖ āϜāĻžāύāĻžāϝāĻŧ āϜāύ⧇ āϜāύ⧇
āĻĢāϞāύ⧇ āĻŦ⧇āĻļāĻŋ āĻŽāϧ⧁āϰ āϏāĻŽāϝāĻŧ āϰ⧇āϖ⧇āϛ⧇ āĻŦ⧃āĻˇā§āϟāĻŋāĨ¤
āĻĒā§‚āĻ°ā§āĻŖ āĻšāĻŦ⧇ āĻšāĻžāĻ­āĻžāϤ⧇āϰ āϜāĻ āϰ āĻœā§āĻŦāĻžāϞāĻžâ€Ļ
āϰ⧇āϖ⧇ āĻĒā§‚āϜāĻžāĻŽāĻ¨ā§āĻĻāĻŋāϰ āĻŦāĻŋāϞ⧋āϤ⧇āĻ“ āĻĒāĻžāϰ⧇ āĻŽāĻžāύāϤ āĻĒāĻžāϝāĻŧ⧇āϏ
āĻĒā§āϰāϤāĻŋāĻŦ⧇āĻļā§€ āĻŽā§āĻ– āωāϏāϖ⧁āĻ¸ā§ āĻĒāĻžāĻĄāĻŧāĻžāϝāĻŧ āĻĒāĻžāĻĄāĻŧāĻžāϝāĻŧāĨ¤
āĻšāϝāĻŧ āĻšā§‹āĻ• āϟāĻžāύāĻžāϟāĻžāύāĻŋ āϏāĻžāϰāĻž āĻŦāĻ›āϰ āύāĻžāϜāĻžāύāĻŋ
āψāĻļā§āĻŦāϰ āϰ⧇āϖ⧇āϛ⧇āύ āωāϜāĻžāĻĄāĻŧ āĻ•āϰ⧇ āϏāĻŦāϟāĻžāχ āĻāχāĻŦāĻžāϰ?

āϤ⧁āĻŽāĻŋāϤ⧋ āϏāĻžāĻŽāĻžāĻ¨ā§āϝ āĻĻ⧇āĻŦā§€ āύāĻ“

āĻŦāĻžāĻ™āĻžāϞ⧀āϰ āϘāϰ⧇ āĻŦāĻŋāϜāϝāĻŧāĻž āĻŽāĻžāύ⧇āχ āĻ•āĻžāĻ°ā§āύāĻŋāĻļ āĻ›āĻžāĻĒāĻžāύ⧋
āύāĻžāĻŽā§‡ āϜāϞāϧāĻžāϰāĻž āĻ…āĻŦāĻŋāϰāϞ āĨ¤
āĻŽā§āĻ›āϞ⧇āĻ“ āϝāĻžāϝāĻŧāύāĻž āĻĨāĻžāĻŽāĻžāύ⧋â€Ļ
āϕ⧋āĻĨāĻž āĻĨ⧇āϕ⧇ āϞ⧁āĻ•āĻžāύ⧋ āĻŦāϝāĻŧ āĻ…āϤ⧋ āĻ¸ā§āϰ⧋āϤ āĻĸāĻ˛ā§ āĨ¤

āĻ•āĻ¨ā§āϝāĻž āωāĻŽāĻžāχ āĻŽāĻž āĻ­āĻžāĻŦāύāĻžāϝāĻŧ āφāĻĻāϰāĻŖā§€āϝāĻŧāĻž āφāĻœā§€āĻŦāύ
āĻļāĻŋāĻŦāϏāĻ™ā§āĻ— āĻšā§‡āύ āωāĻĻāĻžāϏ⧀āύ āĻ¸ā§āĻŦāĻžāĻŽā§€ āϤāĻžāρāϕ⧇ āĻ•āϰāϤ⧇āχ āĻšāĻŦ⧇ āϘāϰāĨ¤
āĻļā§āĻŽāĻļāĻžāύ āĻŽāĻļāĻžāύ āϘ⧁āϰāĻž āϝāĻžāϝāĻžāĻŦāϰ āύāĻ¸ā§āϟāĻžāϞāϜāĻŋ⧟āĻž āĻĒ⧁āϰ⧁āώ
āĻŽāĻ§ā§āϝāĻŦāĻŋāĻ¤ā§āϤ⧇āϰ āĻ˜ā§‡āϰāĻžāĻŸā§‹āĻĒ⧇ āĻŽāĻžāύāĻžāϝāĻŧ āĻāχ āĻŦā§āϝāĻ­āĻŋāϚāĻžāϰ?
āĻŽā§‡āϝāĻŧ⧇ āφāĻŽāĻžāϰ āϏāĻšāύāĻļā§€āϞāĻž āĻšāĻžāϏāϤ⧇ āϜāĻžāύ⧇ āϏāϰāĻŋāϝāĻŧ⧇ āϰ⧇āϖ⧇āĻ“
āϏāϰāϞ āĻ…āĻ­āĻŋāϝ⧋āĻ—;
āϚāĻžāĻŸā§āϟāĻŋ āϏāĻ¨ā§āϤāĻžāύ⧇āϰ āĻšā§āϝāĻžāĻĒāĻž āϏāĻžāĻŽāϞāĻžāύ⧋ āύāĻ¨ā§āĻĻā§€ āĻ­āĻŋāĻ™ā§āĻ—ā§€āϰ āφāĻŦā§āĻĻāĻžāϰ
āϚāϰāϏ āĻ—āĻžāρāϜāĻž āϞ⧇āϗ⧇āχ āφāϛ⧇ āύāĻŋāϤ⧁āχ;
āĻŦāĻžāĻĄāĻŧāϤāĻŋ āĻ•āĻ˛ā§āϕ⧇āϤ⧇ āφāϗ⧁āύ āϝ⧋āĻ—āĻžāύ⧋āĨ¤
āĻĻāĻļāĻĻāĻŋāϕ⧇ āĻĻāĻļ āĻ•āĻžāĻ¨ā§āĻĄ āĻŦ⧇āϟāĻžāĻšā§āϛ⧇āϞ⧇ āύāĻŋāĻ°ā§āϘ⧁āĻŽ āĻĨ⧇āϕ⧇ āĻĨ⧇āϕ⧇
āĻ•āĻŋāϛ⧁ āĻ…āύāĻžāϏ⧃āĻˇā§āϟāĻŋ āύāĻž āϘāϟāĻžāϝāĻŧāĨ¤
āĻœā§‹āϰ āĻ—āĻžāρāϜāĻžāϰ āĻĻāĻŽā§‡ āύāĻž āĻ­āĻ°ā§āϤāĻŋ āĻ•āϰāϤ⧇ āĻšāϝāĻŧ āύāĻžāĻ°ā§āϏāĻŋāĻ‚ āĻšā§‹āĻŽā§‡

āϤ⧋āĻŽāĻžāϰ āφāĻ—āĻŽāύ⧇ āϧāĻ¨ā§āϝ āĻšāϝāĻŧ āĻŽāĻžāĻ—ā§‹ āĻāχ āĻŽāĻ°ā§āĻ¤ā§āϝāĻ­ā§‚āĻŽāĻŋ
āĻĻ⧇āĻŦāϤāĻžāϰāĻžāĻ“ āϜāĻĒ⧇ āφāϰāĻžāϧāύāĻž āϤ⧁āĻŽāĻŋ āĻāĻŽāύāχ āĻļāĻ•ā§āϤāĻŋāĻĻāĻžāϝāĻŧāĻŋāύ⧀āĨ¤

āϝāĻ¨ā§āĻ¤ā§āϰāĻŖāĻž āφāĻļā§āϚāĻ°ā§āϝ⧇āϰ

āĻ…āĻļā§‹āĻ• āĻ•āĻžāύāύ āĻ…āĻļā§āϰ⧁āϧ⧌āϤ
āĻŦāϟāĻšā§āĻ›āĻžāϝāĻŧ āĻŦāρāϧ⧁;
āϏ⧇āĻ“āϤ⧋ āĻĒ⧌āϰāĻžāĻŖāĻŋāĻ•
āύāĻŋāĻ¨ā§āĻĻāĻžāϰ āĻ…āĻĒāĻšāϰāĻŖāĨ¤

āĻšā§‹āĻ•;
āĻ•āĻĻāĻŽ āĻ•āϝāĻŧ⧇āĻ• āĻĒāĻŋāĻ›āύ⧇
āĻ…āĻĒāĻŽāĻžāύāϤ⧋ āĻāĻ•āĻŋ;
āĻĻāĻšāύ⧇ āĻĒ⧁āĻĄāĻŧ⧇ āĻŽāϰāĻž!

āφāĻļā§āϚāĻ°ā§āϝ āϝāĻ¨ā§āĻ¤ā§āϰāĻŖāĻž āĻŦāĻŋāĻšā§āĻŦāϞāϤāĻž
āĻŽāϰāĻŖ āϏāĻŽāĻžāύāĨ¤
āĻĒāĻžāϰ⧇āύāĻŋ āϕ⧋āύ⧋ āϝ⧁āĻ—āχ āϰāĻžāĻ–āϤ⧇
āύāĻžāϰ⧀āϰ āϏāĻŽā§āĻŽāĻžāύāĨ¤

āĻĢāĻŋāϰ⧇ āĻĒ⧇āϤ⧇ āχāĻšā§āϛ⧇ āĻ•āϰ⧇

āφāĻ•āĻžāĻļ āĻĢ⧁āĻŸā§‹ āĻšāϞ⧇ āύāĻžāϜāĻžāύāĻŋ
āĻāĻŽāύ āϧāĻžāϰāĻžāϝāĻŧ āĻāϰ⧇āĨ¤
āĻŦ⧃āĻˇā§āϟāĻŋāĻŽā§āĻ–āϰ āĻŦāĻžāĻĻāϞ āĻŦ⧇āϞāĻžāϝāĻŧ
āĻŽāύ āĻŦāϏ⧇ āύāĻž āϘāϰ⧇āĨ¤
āϛ⧇āĻĄāĻŧ⧇ āĻ›āĻŋāρāĻĄāĻŧ⧇ āϝāϤ⧋ āĻŦāĻžāρāϧāύ
āωāĻ ā§‹āύ āωāĻĻā§āĻĻāĻžāĻŽ āύāĻžāϚāĨ¤
āĻ–āĻžāϞ⧇āϰ āϧāĻžāϰ⧇ āĻ›āĻŋāĻĒāϟāĻŋ āĻĢ⧇āϞ⧇
āĻŽāĻŋāĻĨā§āϝ⧇āχ āϧāϰāĻž āĻŽāĻžāĻ›āĨ¤
āĻĨā§‹āĻĄāĻŧāĻžāχ āϕ⧇āϝāĻŧāĻžāϰ āϏāĻ°ā§āĻĻāĻŋ-āĻœā§āĻŦāϰ
āĻŦāĻžāĻĄāĻŧāĻŋāϰ āϞ⧋āϕ⧇āϰ āĻŽāĻžāύāĻžāĨ¤
āĻŦāĻ°ā§āώāĻŖāĻ­ā§‹āĻ— āĻĻ⧁āϰāĻ¨ā§āϤ⧋āĻšā§āĻ›ā§āĻŦāĻžāϏ
āĻļ⧇āώ āĻĻāĻšāύ āϏ⧀āĻŽāĻžāύāĻžāĨ¤
āĻĒāĻĄāĻŧāĻļāĻŋāϏāĻ™ā§āĻ— āĻ•āĻžāϗ⧁āĻœā§‡ āύ⧌āϕ⧋
āĻ­āĻžāϏāĻžāχ āĻ¸ā§āϰ⧋āϤāϜāϞ⧇āĨ¤
āĻ¸ā§āĻŦāĻĒā§āύāϘāϰ āĻšāĻ āĻžā§Ž āĻ­āĻžāĻ™āϞ⧇ āϤ⧋āĻĄāĻŧ⧇
āĻ•āĻžāĻ¨ā§āύāĻž āύāĻžāĻŽāϤ⧋ āĻĸāϞ⧇āĨ¤
āϕ⧇āύ āϝ⧇ āĻŽāĻžāύ⧁āώ āĻšāϝāĻŧ āϧ⧇āĻĄāĻŧ⧇ āφāϰāĻ“ āφāϰāĻ“
āύāĻžāĻĨāĻžāϕ⧇ āĻāĻ• āϚāĻŋāϰāĻ•āĻžāϞāĨ¤
āϕ⧋āĻ¨ā§ āϏāĻžāϧāύāĻžāϝāĻŧ āĻĒāĻžāĻŦā§‹ āĻĢāĻŋāϰ⧇ āĻ“āϰ⧇
āĻšāĻžāϰāĻžāύ⧋ āϏ⧇āχ āĻļ⧈āĻļāĻŦāĻ•āĻžāϞāĨ¤

āĻ“āĻ—ā§‹ āĻŽāϰāĻŽā§€ āĻĒāĻžāϰāϞ⧇ āϜāĻ¨ā§āĻŽ āύāĻžāĻ“ āφāϰ⧇āĻ•āĻŦāĻžāϰ

āĻŦāĻ°ā§āĻŖāϞāĻŋāĻĒāĻŋāϗ⧁āϞ⧋ āϏāϰ⧇ āϏāϰ⧇ āϝāĻžāĻšā§āϛ⧇ āĻ•ā§āϰāĻŽāĻļāσ
āĻāĻ–āύ āĻŦāĻžāĻ‚āϞāĻžāϰ āϚāĻžāϤāĻžāϞ⧇ āĻŦāĻĄāĻŧā§‹ āĻĻ⧁āĻ°ā§āĻĻāĻŋāύāĨ¤
āϘ⧁āĻŽ āĻĒāĻžāĻĄāĻŧāĻžāϤ⧇ āĻ–ā§‹āĻ•āĻžāϖ⧁āĻ•āĻŋāĻĻ⧇āϰ āϜāĻžāϝāĻŧāĻ—āĻž āĻ•āϰ⧇ āύāĻŋāĻšā§āϛ⧇
āĻĒāϰāĻ­āĻžāώāĻž āχāĻ‚āϰāĻžāϜāĻŋ āϰāĻžāχāĻŽāĻ¸ā§!

āϚāĻžāώ āωāϠ⧇ āϗ⧇āϛ⧇ āĻ•āĻŦ⧇ āĻļ⧁āĻĻā§āϧāϤāĻžāϰ āĻŦāĻžāύāĻžāύ⧇āϰ āφāĻŦāĻžāĻĻ
āϏ⧇āĻ“ āϏ⧇āĻ“ āĻļāĻŦā§āĻĻāϚāĻžāώāĻŋ āĻ—ā§ƒāĻšāϕ⧋āϪ⧇ āϰ⧇āϖ⧇āϛ⧇ āĻ—āĻšā§āĻ›āĻŋāϤāĨ¤
āĻ…āύ⧁āĻ­āĻŦ⧇ āĻ āĻžāϕ⧁āϰāĻĻāĻžāϰ āĻŽā§āĻ—ā§āϧāϤāĻžāϝāĻŧ āĻŦāϏāĻž āĻĒāĻžāĻ āĻļāĻžāϞāĻž āφāϟāϚāĻžāϞāĻžāϝāĻŧ
āύāĻž āĻĻ⧇āϝāĻŧ āφāĻŽāϞ āφāĻĻ⧌ āĻĒ⧌āĻ¤ā§āϰ āĻĒā§āϰāĻĒ⧌āĻ¤ā§āϰ â€Ļ
āĻŽāĻœā§‡ āϝāĻžāĻ“āϝāĻŧāĻž āĻĒāĻĨ⧇āϰ āĻ•ā§āώ⧀āĻŖāϰ⧇āĻ–āĻž āϧāϰ⧇āχ āϤāĻžāĻšāϞ⧇āĻ“
āϟāĻŋāĻŽāϟāĻŋāĻŽ āφāϞ⧋āϝāĻŧ āĻĒāϰāĻ¸ā§āĻĒāϰ āĻŽā§āĻ– āϚāĻžāĻ“ā§ŸāĻžāϚāĻžāĻ“ā§ŸāĻŋ āϰ⧇āϖ⧇āϛ⧇
āĻŦāĻžāρāϚāĻŋā§Ÿā§‡ āĻ—āϰ⧀āĻŦāϗ⧁āϞ⧋ āĻ…āĻļāĻžāϞ⧀āύ āĻ•āĻĨā§‹āĻĒāĻ•āĻĨāύ⧇?

āφ āĻŽāϰāĻŋ āĻŽāϰāĻŽā§€ āĻŽāĻžāϤ⧃āĻ­āĻžāώāĻžāϰ āϟāĻžāύ⧇
āϖ⧇āϝāĻŧāĻž āĻŦāϝāĻŧ āĻŽāĻžāĻāĻŋ;
āĻ•ā§āϞāĻžāĻ¨ā§āϤāĻŋ āύāĻžāĻļ⧇āϰ āωāĻĒāĻļāĻŽ āĻŽāϞāĻŽā§‡āϰ āϜāĻ¨ā§āϝ āĻ—āĻžāϝāĻŧ āφāĻœā§‹āĨ¤
āϤāĻžāĻšāϞ⧇āĻ“ āĻ…āϧāĻŋāĻ•āĻžāĻ‚āĻļ āϜāύ āϚāĻžāϕ⧁āϰāĻŋ āĻŦāĻŋāϞāĻžāϏ⧇āϰ āϤ⧀āĻŦā§āϰ
āϞāĻžāϞāϏāĻžāϝāĻŧ āĻŽāĻžāϤ⧃āĻ­āĻžāώāĻžāϕ⧇ āĻ•āϰāϛ⧇ āĻĒāϰāĻœā§€āĻŦā§€!

āĻ•ā§āώāϤ āϏāĻžāϰāϤ⧇ āϏāĻŦāĻ•āĻŋāϛ⧁āϰ āϏāĻŦ
āĻ“āĻ—ā§‹ āĻŦāĻžāĻ‚āϞāĻžāϰ āĻ—āĻĻā§āϝ⧇āϰ āϰ⧂āĻĒāĻ•āĻžāϰ; āĻĻ⧁āĻ°ā§āϧāĻ°ā§āώ āĻāρāĻĄāĻŧ⧇ ..
āĻĒāĻžāϰāϞ⧇ āϜāĻ¨ā§āĻŽ āύāĻžāĻ“ āϤ⧁āĻŽāĻŋ āĻāχ āĻŦāĻžāĻ‚āϞāĻžāϝāĻŧ āφāĻŦāĻžāϰ!

āĻļāĻŋāĻ–āĻŦāĻŋ āϝāĻĻāĻŋ; āφāϝāĻŧāύāĻž āϤ⧁āχ

āĻāχ āϛ⧇āϞ⧇āϟāĻž āĻ•āĻŋ āϖ⧁āρāϜāĻŋāϏ āĻ…āϤ⧋
āĻāĻĻāĻŋāĻ• āĻ“āĻĻāĻŋāĻ•;
āĻŦāϏ⧇ āφāϛ⧇āύ āϏāĻžāĻŽāύ⧇ āĻĻ⧇āĻŦāϤāĻž
āϚāϰāĻŖāϧ⧂āϞāĻŋ āϤāĻžāρāϰâ€Ļ
āĻŽāĻžāĻ–āĻŦāĻŋ āϏāĻžāϰāĻž āĻ—āĻžāϝāĻŧ?

āχāĻšā§āϛ⧇ āφāϛ⧇ āĻ…āĻ—āĻžāϧ āϜāϞ⧇
āĻĄā§āĻŦ⧇āχ āϏāĻŽā§āĻĻā§āϰ⧇;
āϏāĻžāϤ āϰāĻžāϜāĻžāϰ āϧāύ āĻ•āĻžāĻ™ā§āĻ•ā§āώāĻŋāϤ āĻŦ⧈āĻ­āϰ
āĻŽā§āĻ•ā§āϤ⧋āϚāĻŋāϕ⧁āϰ āϤ⧁āϞ⧇ āφāύāĻŦāĻŋ..
āφāρāϚāϞ āĻ­āϰ⧇?

āϤāĻžāĻšāϞ⧇ āϏāĻŦ āĻĢ⧇āϞ⧇ āϤ⧁āχ
āφāϝāĻŧ āύāĻžāϰ⧇ āφāϝāĻŧ;
āφāϜ āĻļāĻŋāĻ•ā§āώāĻ• āϏ⧀āĻŽāĻžāύāĻžāϝāĻŧ

āĻŦāĻ°ā§āĻŖāĻĒāϰāĻŋāϚāϝāĻŧ āĻšā§‹āĻ• āϤ⧋āϰ
āĻĒā§āϰāĻĨāĻŽ āĻĒāĻžāĻ ;
āϚāϰāĻŖ āϛ⧁āĻā§Ÿā§‡ āĻŦāĻŋāĻĻā§āϝāĻžāϏāĻžāĻ—āϰ⧇āϰ
āϜāĻžāϗ⧁āĻ• āĻšā§‡āϤāύāĻž āφāϰ
āωāĻ¤ā§āϤāϰāϪ⧇āϰ āϏāĻŋāρ⧜āĻŋ!

āĻĒāĻžāĻŖā§āĻĄā§āϞāĻŋāĻĒāĻŋ āϭ⧇āϏ⧇ āϗ⧇āϛ⧇

āϗ⧁āĻžā§āϜāύ⧇ āϚ⧁āĻĒā§ āĻ•āĻĨāĻž āϝāϤ āĻļāĻ– āĻŽā§‡āϝāĻŧ⧇āϞāĻŋâ€Ļ.
‘āĻŽāĻžāϰ āύ⧇āχ āϏāĻžāĻŦāϧāĻžāύ⧇’ āĻšā§‹āĻ– āĻĒāĻžāĻ•āĻžāϝāĻŧ āĻŦāĻĄāĻŧā§‹ āĻŦāωāĨ¤
āϤāĻ°ā§āϜāύ⧀ āĻšā§‡āύ⧇ āĻŦāϞ⧇: ‘āĻĻ⧇āĻ“āϝāĻŧāĻžāϞ⧇āϰāĻ“ āĻ•āĻžāύ āφāϛ⧇
āϤ⧁āĻŽāĻŋ āĻŦāĻžāĻĒ⧁ āĻœā§‡āύ⧇āĻļ⧁āύ⧇ āϞ⧋āĻ• āφāϰ āĻšāĻžāϏāĻŋāĻ“ āύāĻž!’

āĻŦāĻžāĻ˜ā§‡āϰ āĻĒāĻŋāϛ⧇ āĻĢ⧇āω āĻĄāĻžāϕ⧇ āĻāĻ•āĻĻāĻŽ āφāĻĄāĻŧāĻžāφāĻĄāĻŧāĻŋ
āϚāĻžāϞāĻžāĻ•āĻŋāϟāĻž āĻ“āχāĻ–āĻžāύ⧇ āύāĻžāχāĻŦāĻž āĻ•āϰāϞ⧇;
āĻļ⧁āύāĻ›āĻŋ āĻŦāωāϕ⧇ āϰāĻžāĻ–āϛ⧋ āĻšāĻžāϤ⧇āϰ āĻšā§‡āĻŸā§‹āϝāĻŧ
āϤāĻž āĻŦāϞ⧇ āĻāĻŋāϕ⧇ āĻ…āĻ•āĻžāϰāϪ⧇ āĻŽā§‡āϰ⧋ āύāĻž?

āϰāĻžāϤāĻžāϰāĻžāϤāĻŋ āĻŦāϏāϞ⧇ āĻ…āύāĻļāύ⧇ āĻāĻ—āĻŋā§Ÿā§‡ āĻĻ⧇āϝāĻŧ āϕ⧇ āĻĢāϞāϰāϏ
āĻ­āĻžāĻŦ āϜāĻŽā§‡ āύāĻŋāĻļā§āϚ⧁āĻĒ⧇ āĻļā§āĻŽāĻļāĻžāύ⧇āϰ āĻ¸ā§āϤāĻŦā§āϧāϤāĻžāϝāĻŧ;
āϗ⧁āϞāĻŋ āĻŽāĻžāϰ⧋ āφāĻĻāĻ°ā§āĻļ⧇ āϚ⧁āϰāĻŋāϟāĻžāχ āĻšā§‹āĻ• āϧāĻ°ā§āĻŽ ..
āĻĒāĻžāĻ—āϞāĻž āώāĻžāρāĻĄāĻŧ⧇āϰ āĻļāĻŋāĻ‚ āϧāϰ⧇ āĻĨāĻžāĻŽāĻžāĻŦ⧇ āϏāĻžāĻšāϏ āĻ•āĻžāϰ?

āĻĒāĻžāĻŖā§āĻĄā§āϞāĻŋāĻĒāĻŋ āϭ⧇āϏ⧇ āϗ⧇āϛ⧇ āĻ—āĻžāϙ⧁āϰ⧇āϰ āϜāϞ⧇
āϤ⧁āĻŽāĻŋ āĻŦāĻžāĻĒ⧁ āĻ•āĻŦāĻŋ āĻšāϤ⧇ āϞāĻžāĻĢāĻžāϞāĻžāĻĢāĻŋ āĻ•āϰ⧋āύāĻž?
āύāĻž āĻœā§‡āύ⧇ āĻŽā§āĻ–āĻ¸ā§āĻĨ āĻ•āϰ⧇āϛ⧋ āϭ⧁āϞāĻ­āĻžāϞ āĻ…āύ⧇āĻ•āϟāĻžāχ
āωāĻ¤ā§āϤāϰāϏ⧂āϰ⧀āϰāĻž āĻŽā§āĻ–āϟāĻŋāĻĒ⧇ āĻšāĻžāϏ⧇ āϞāĻœā§āϜāĻžāϝāĻŧ!

āĻ¸ā§āύāĻžāύ āĻļ⧇āώ⧇ āĻĢāĻŋāϰ⧇ āϞāĻŋāϖ⧇āĻ›āĻŋāϞ⧇āύ āĻ•āĻŦāĻŋ āϜāϝāĻŧāĻĻ⧇āĻŦ
‘āĻĻ⧇āĻšāĻŋ āĻĒāĻĻāĻĒāĻ˛ā§āϞāĻŦ⧁āĻĻāĻžāϰāĻŽā§’ â€Ļ

āĻŽā§āϖ⧇ āĻāρāĻŸā§‡āĻ›āĻŋ āϕ⧁āϞ⧁āĻĒ

āĻŦāĻŋāϜāĻŋāĻ—ā§€āώāĻž āϤ⧀āĻŦā§āϰāϤāĻžāϝāĻŧ āϝ⧇āĻŽāύ
āϏāĻĒā§āϤāϰāĻĨā§€āϰ āĻĻāĻžāρāϤāĻžāϞ āĻšāĻžāϏāĻŋ;
āϚāĻ•ā§āϰāĻŦā§āϝ⧂āĻšā§‡āϰ āϚāĻžāϞāĻžāĻ•āĻŋāϤ⧇ āĻĒāĻžāϰāϤāĻĒāĻ•ā§āώ⧇â€Ļ
āĻĒāϰāĻŋāĻ•āĻ˛ā§āĻĒāύāĻžāϝāĻŧ āĻ…āĻ­āĻŋāĻŽāĻ¨ā§āϝ⧁āϰ āĻĒā§āϰāĻžāĻŖ āϕ⧇āĻĄāĻŧ⧇ āύ⧇āĻ“āϝāĻŧāĻž āϏāĻŽā§āĻŽāĻŋāϞāĻŋāϤ
āύāĻŋāĻļā§āϚāĻŋāϤāĻ•āϰāϪ⧇āϰ āĻ›āĻ• āϏ⧇āĻ–āĻžāύ⧇ āϤ⧁āĻŽāĻŋ āϤ⧁āĻŽāĻŋ
āĻ•āϤ⧋āĻ–āĻžāύāĻŋ āĻļāϕ⧁āύāĻŋāϕ⧇āχ āĻāĻ•āĻž āĻĻāĻžāϝāĻŧā§€ āĻ•āϰāϤ⧇ āĻĒāĻžāϰ⧋?

āĻšā§‹āϖ⧇āϰ āĻļ⧁āĻļā§āϰ⧂āώāĻžāϰ āύāĻžāĻŽā§‡ āĻĒāĻžāρāϚāĻļā§‹ āϟāĻžāĻ•āĻžāϰ āĻŽāϞāĻŽ
āϞāĻžāĻ—āĻžāĻšā§āϛ⧇ āϝāĻžāϰāĻž; āϜāĻžāύ⧇ āϏāĻŦāϟāĻžāχâ€Ļ
āϞ⧁āĻŸā§‡āĻĒ⧁āĻŸā§‡ āĻ–āĻžāĻ“āϝāĻŧāĻžāϰ āĻāϟāĻžāχ āϞāĻŽā§āĻŦāĻž āϰāĻžāĻ¸ā§āϤāĻžāĨ¤
āϕ⧇āω āϝ⧇āύ āύāĻž āĻŦāϞ⧇ āĻ¸ā§āĻŦāĻžāϧ⧀āύāϤāĻžāϰ āĻĒāϰ⧇ āĻāĻŽāύāϟāĻž
āύāĻŋāĻ›āĻ• āĻĻāϰāĻĻā§€ āϏāϰāĻ•āĻžāϰ; āĻ—āĻ­ā§€āϰ⧇ āĻ­āĻžāĻŦ⧇ āύāĻž āϕ⧇āωāĨ¤

āĻŦāϝāĻŧ⧇āχ āϗ⧇āϛ⧇ āĻ…āĻ­āĻžāĻŦ āϝ⧇āĻ–āĻžāύ⧇ āύāĻŋāĻ¤ā§āϝ āϏāĻŋāϞ⧇āĻŦāĻžāϏ
āωāĻĄāĻŧā§‹ āĻ–āχ āĻ—ā§‹āĻŦāĻŋāĻ¨ā§āĻĻāĻžāϝāĻŧ āύāĻŽāσâ€Ļ
āĻŽāĻšāĻžāĻ­ā§‹āϗ⧇āϰ āύāĻžāĻŽā§‡āϤ⧋ āĻŽāĻŋāϞāϛ⧇ āωāĻšā§āĻ›āĻŋāĻˇā§āϟ āĻĒā§āϰāϏāĻžāĻĻ
āĻļ⧁āϚāĻŋāϤāĻžāϝāĻŧ āĻĻāϰāĻžāĻĻāϰāĻŋ āĻ•āϰ⧇ āϕ⧀ āϞāĻžāĻ­?
āϝāϤāϟ⧁āϕ⧁ āĻœā§‹āĻŸā§‡ āϤ⧇āύāĻžāϰāχ āφāĻļā§€āĻ°ā§āĻŦāĻžāĻĻ⧇: āϜāϝāĻŧ āϗ⧁āϰ⧁!

āĻĒāĻžāĻĄāĻŧāĻžāϝāĻŧ āĻĒāĻžāĻĄāĻŧāĻžāϝāĻŧ āĻŽā§‹āĻĄāĻŧ⧇āϰ āϚ⧌āϰāĻžāĻ¸ā§āϤāĻžā§Ÿ āϤāĻžāĻ•āĻžāϞ⧇ āĻĻ⧇āĻ–āĻŦ⧇
āĻĒā§‹āρāϤāĻž āĻšāĻšā§āϛ⧇ āϧāĻ°ā§āĻŽ āĻŦāĻŋāĻ­āĻžāϜāύ⧇āϰ āϖ⧁āρāϟāĻŋ;
āϖ⧁āρāĻŸā§‡ āϖ⧇āϤ⧇ āϕ⧇āω āĻĻ⧇āĻ–āĻžā§Ÿ āύāĻž āĻŦāĻžāĻšā§āĻŦāϞ⧇āϰ āĻĒ⧇āĻļā§€āĻļāĻ•ā§āϤāĻŋ?

āĻāϏ⧋ āĻŦāĻžāϧāĻžāϰ āĻĒāĻžāĻĨāϰāϟāĻžāϕ⧇ āϏāϰāĻžāχ

āĻ…āĻ¨ā§āϧāĻ•āĻžāϰ āϏāϰāĻŋāϝāĻŧ⧇ āĻĒā§āϰāĻ¤ā§āϝāĻžāĻļāĻž āĻŽāϤ āύāĻžāĻŽā§āĻ•
āĻāĻ•āĻŽā§āĻ ā§‹ āĻ­ā§‹āϰ⧇āϰ āφāϞ⧋āĨ¤
āύāĻŋāĻ°ā§āϘ⧁āĻŽ āϰāĻžāĻ¤ā§āϰāĻŋāϰ āĻĒāĻžāĻĄāĻŧāĻŋāϰ āĻļ⧇āώ⧇ āĻ•āϤāĻĻāĻŋāύ⧇āϰ
āĻ¸ā§āĻŦāĻĒā§āύ āφāĻŽāĻžāϰ āĻ“āĻ—ā§‹ āĻ­āĻžāϰāϤ āϜāύāύ⧀!

āφāĻ“āĻĄāĻŧāĻžāϤāĻžāĻŽ āϘ⧁āĻŽā§‡āĻ“ ‘āϜāύāύ⧀ āϜāĻ¨ā§āĻŽāĻ­ā§‚āĻŽāĻŋāĻļā§āϚ āĻ¸ā§āĻŦāĻ°ā§āĻ—āĻžāĻĻāĻĒāĻŋ
āĻ—āϰ⧀āϝāĻŧāϏ⧀’ āĻļāĻ¸ā§āϝ āĻļā§āϝāĻžāĻŽāϞāĻžāϝāĻŧ āĻĒā§‚āĻ°ā§āĻŖ āϤ⧁āĻŽāĻŋāχ āϏāĻŦāĻžāĻ•āĻžāϰ
āĻ—āϰāĻŦāĻŋāύ⧀ āĻŽāĻž â€Ļ
āĻļā§āĻŦ⧇āϤāĻžāĻ™ā§āĻ— āϏāϰāĻ•āĻžāϰ āϚāϞ⧇ āϗ⧇āϞ⧇ āĻ›āĻŋāρāĻĄāĻŧāĻŦ⧇ āĻļāĻŋāĻ•āϞ!

āϘ⧁āϙ⧁āϰ āϜāĻĄāĻŧāĻŋāϝāĻŧ⧇ āύ⧃āĻ¤ā§āϝ āĻ•āϰāĻŦ⧇ āύāĻžāϚāĻŋāϝāĻŧ⧇āϰāĻž â€Ļ
āĻļāĻŋāĻ˛ā§āĻĒā§€ āφāρāĻ•āĻŦ⧇ āĻĒāĻžāϰāĻžāĻŦāϤ āωāĻĄāĻŧāĻžāύ⧋āϰ āĻ›āĻŦāĻŋ ..
āϤāĻžāύ⧇āϰ āϏ⧁āϰ⧇ āĻĒāĻĨ āϖ⧁āρāĻœā§‡ āĻĒāĻžāĻŦ⧇ āĻŦāĻŋāĻŦ⧇āĻ•āĻŦāĻžāύâ€Ļ
āĻļāĻžāϞāĻĒāĻžāϤāĻžāϝāĻŧ āĻŦāϏ⧇ āĻĒ⧇āϟ āĻĒ⧁āϰ⧇ āĻ–āĻžāĻŦ⧇ āĻšāĻžāĻ­āĻžāϤ⧇āϰāĻž!

āϏāϰāĻ•āĻžāϰ āĻŦāĻĻāϞāĻžāϝāĻŧ āĻŦāĻĻāϞāĻžāϝāĻŧ āύāĻž āϤāĻžāϰ āϚāϰāĻŋāĻ¤ā§āϰ
(āφāχāύ āĻšā§‹āĻ• āĻŽāĻžāύ⧁āώ⧇āϰ āϜāĻ¨ā§āϝ āφāχāύ⧇āϰ āϜāĻ¨ā§āϝ āύāϝāĻŧ)
āϞāĻŦāĻŖāĻžāĻ•ā§āϤ āĻ…āĻļā§āϰ⧁ āϚāĻžāϟāĻž āĻ—āϰ⧀āĻŦ⧇āϰ āύāĻŋāĻ¤ā§āϝ āϏāĻŋāϞ⧇āĻŦāĻžāϏāĨ¤
āĻŦāĻžāρāϧ⧋ āĻœā§‹āϟ; āϏāϰāĻžāĻ“ āĻĒāĻžāĻĨāϰāϟāĻžāϕ⧇ â€Ļ
āωāĻ¨ā§āύāϤāĻŋāϰ āϜāϞ āĻĒ⧌āρāϛ⧋āϝāĻŧ āϝ⧇āύ āĻ—āϰ⧀āĻŦ⧇āϰ āĻĻā§āĻŦāĻžāϰ⧇?

āĻĨāĻžāĻŽā§āĻ• āϞ⧁āϕ⧋āϚ⧁āϰāĻŋāϰ āϖ⧇āϞāĻž

āϏāĻŽāϝāĻŧ āĻāĻ–āύ āĻĻā§āϰ⧋āĻšāĻ•āĻžāϞ āĻŦāĻ¨ā§āϧ⧁
āĻŦāĻ¨ā§āϧāύ⧇ āφāϛ⧇ āĻŦāĻžāϧāĻž,
āĻŽā§āĻ•ā§āϤ⧋ āĻĒāĻžāĻŦ⧇āύāĻž āϖ⧁āρāϜāϞ⧇āĻ“ āϏāĻŋāĻ¨ā§āϧ⧁
āϏāĻžāĻ—āϰ⧇ āϭ⧇āϏ⧇āϛ⧇ āϰāĻžāϧāĻž!

āĻļā§‹āώāϪ⧇āϰ āϜāĻžāϞ āĻ­ā§€āώāĻŖ āĻŦāĻŋāĻ¸ā§āϤāĻžāϰ
āφāϛ⧇ āϕ⧋āĻĨāĻžāĻ“ āϚ⧁āĻ•ā§āϤāĻŋ,
āϕ⧀ āĻšāĻŦ⧇ āϤāĻžāĻšāϞ⧇ āĻļāĻžāĻ¨ā§āϤāĻŋāϰ āϏāĻ‚āϏāĻžāϰ
āĻ…āϧāĻŋāĻ•āĻžāϰ⧇ āύ⧇āχ āϝ⧁āĻ•ā§āϤāĻŋ?

āĻ˜ā§‹āϞāĻžāϜāϞ⧇ āĻŽāĻžāĻ› āϧāϰāϛ⧇ āϏāĻŦāĻžāχ
āϏāĻŽāϝāĻŧ āĻšāĻšā§āϛ⧇ āĻ…āĻĒāϚ⧟,
āĻ¸ā§āĻŦāĻĒā§āύ⧇āϰāĻž āϜāĻžāĻ—āϛ⧇ āĻ­āĻžāĻ—āϛ⧇ āϕ⧋āĻĨāĻž
āύāĻŋāĻļā§āϚāĻŋāϤ āύāĻžāĻŽāĻŦ⧇ āĻĒāϰāĻžāϜāϝāĻŧ!

āφāĻĒā§‹āϏ⧇āϰ āϜāĻžāϞ āĻ›āĻŋāρāĻĄāĻŧ⧁āĻ• āĻāĻ–āύ
āϏ⧁āĻ—āĻ­ā§€āϰ āĻĒā§āϰāĻ¤ā§āϝāĻžāĻļāĻžāϝāĻŧ,
āĻĨāĻžāĻ•āĻŦ⧇āύāĻž āϞ⧁āϕ⧋āϚ⧁āϰāĻŋāϰ āϖ⧇āϞāĻž
āϝāĻĻāĻŋ āĻļāĻžāĻ¨ā§āϤāĻŋāϟāĻž āϚāĻžāχ?

āϚāĻŋāύāĻŦā§‹ āύāĻŋāĻœā§‡āϕ⧇ āφāϝāĻŧāύāĻžāϝāĻŧ

āĻāĻ•āϟāĻž āĻŦāĻĄāĻŧā§‹ āĻŽāĻžāĻĒ⧇āϰ āφāϝāĻŧāύāĻž āĻĻāĻžāĻ“āϤ⧋
āύāĻŋāĻœā§‡āϰ āĻŽā§āĻ–āϟāĻž āĻĻ⧇āĻ–āĻŋ, āĻ•ā§āώāϤāϚāĻŋāĻšā§āύ āφāϛ⧇
āϕ⧋āĻĨāĻžāĻ“āĻŦāĻž āĻŦāĻŋāĻļā§āϰ⧀āĻ­āĻžāĻŦ⧇ āϕ⧇āĻŽāύ āϜāĻžāύ⧋āϤ⧋
āϞ⧋āϕ⧇ āύāĻž āĻŦāϞ⧇ āĻĸ⧇āϕ⧇ āĻĢ⧇āϞāĻŋ āĻĒā§‹āĻĄāĻŧāĻž āĻ•āĻĒāĻžāϞ!
āĻĻāĻžāĻ—ā§€āϰāĻž āϏāĻŽāĻžāĻœā§‡ āĻĒāĻžāϝāĻŧ āύāĻž āĻŽāĻžāύ āĻŽāĻžāύ⧋āϤ⧋
āĻŸā§‡āύ⧇ āύāĻžāĻŽāĻžāϤ⧇ āĻĒāĻžāϰ⧇ āϏ⧋āϜāĻž āϰāĻžāĻ¸ā§āϤāĻžāϝāĻŧâ€Ļ
āĻŽā§āĻ– āϰāĻ•ā§āώāĻž āĻ•āϰāĻŋ āϤāĻ–āύ āϤ⧁āĻŽāĻŋ āĻŦāϞ⧋āϤ⧋
āϝāĻĻāĻŋāĻ“ āĻĒāϰāĻŋāϚāϝāĻŧ⧇ āφāĻŽāĻŋ āϞāĻžāĻ™ā§āϗ⧁āϞ āĻŦā§€āϰ!

āĻāĻ–āύ⧋ āĻ—ā§‹āĻĒāύ⧇ āϖ⧇āϞāĻž āĻ•āϰ⧇ āφāĻĻāĻŋāĻŽāϤāĻž
āĻāĻ–āύ⧋ āύāĻŋāϜāĻ¸ā§āĻŦ āϚāϰāĻŋāĻ¤ā§āϰ āφāρāϧāĻžāϰ⧇ āĻšāĻžāϰāĻžāχ!
āĻāĻ–āύ⧋ āĻŽāĻžāύāĻŦ āĻ¸ā§āĻĢ⧁āϰāϪ⧇ āφāϛ⧇ āĻŦā§āϝāĻ°ā§āĻĨāϤāĻž
āĻāĻ–āύ⧋ āĻ•āĻžāϰ⧋āϰ āĻŦāĻŋāĻĒāĻĻ āĻĻ⧇āϖ⧇ āĻĒāĻžāϞāĻžāχ?

āĻĻ⧇āĻ–āĻŦā§‹ āϏāĻŽāĻžāύ⧇ āϏāĻžāĻŽāύ⧇ āϚāĻŋāĻŦ⧁āĻ• āĻĸāϞ
āĻšāϤ⧇ āĻĒāĻžāϰāĻŋ āĻ•āĻžāϰ⧋āϰ āĻŦāĻŋāĻĒāĻĻ⧇āϰ āϏāĻŽā§āĻŦāϞ!

āĻĒ⧇āĻŸā§‡āϰ āĻ–āĻŋāĻĻ⧇āϟāĻžāχ āĻ•āĻŦāĻŋāϤāĻž

āĻļāĻŦā§āĻĻ āϚāϝāĻŧāύ⧇āϰ āĻŽāĻžāϧ⧁āĻ°ā§āϝ āύāĻž āĻ•āĻ˛ā§āĻĒāϞ⧋āϕ⧇āϰ
āĻŦ⧇āĻĄāĻŧāĻžāϰ āϭ⧇āϤāϰ
āĻœā§€āĻ°ā§āĻŖ āϕ⧁āϟāĻŋāϰ⧇ āĻĢ⧁āρāĻĄāĻŧ⧇ āĻšā§‡āϏ⧇ āωāĻ āϞ⧇ āĻŽāĻžāϝāĻŧāĻžāĻŦā§€ āϚāĻžāρāĻĻ
āĻŦāĻŋāĻļā§āĻŦ āĻĻāĻŋāĻŦāϏ⧇āϰ āĻ•āĻŦāĻŋāϤāĻž āĻšāϝāĻŧ āĻŦāĻ¨ā§āϧ⧁
āϏ⧇āϤ⧋ āϜāĻžāύāĻž āύ⧇āχ āφāĻŽāĻžāϰ?

āĻĻ⧇āϖ⧇āĻ›āĻŋ āĻĒā§‹āϝāĻŧāĻžāϤāĻŋ āĻŦāω āϚāĻžāϞ āĻŦāĻžāĻ›āϛ⧇ āϕ⧁āϞ⧋āϝāĻŧ
āϝāĻĻāĻŋāĻ“ āϕ⧋āϞ⧇āϰ āĻļāĻŋāĻļ⧁āϟāĻž āϤāĻ–āύ⧋
āφāϗ⧁āύ āĻ–āĻŋāĻĻ⧇āϝāĻŧ āĻ•āϰāϛ⧇ āĻ›āϟāĻĢāĻŸā§!
āĻŽāϰāĻĻāϟāĻž āϗ⧇āϛ⧇ āϜāĻ‚āϧāϰāĻž āĻ•āĻžāϰāĻ–āĻžāύāĻžāϰ āĻ•āĻžāϛ⧇
āĻĒāĻžāϛ⧇ āĻ•āĻžāϜ āĻļ⧁āϰ⧁ āĻšāϝāĻŧ⧇ āϝāĻžāϝāĻŧ āϏāĻ•āĻžāϞ⧇āχ
āϝāĻĻāĻŋāĻ“ āĻ•ā§āϞ⧋āϜāĻžāϰ⧇āϰ āύ⧋āϟāĻŋāĻļ āĻā§āϞāϛ⧇ āĻšāĻžāĻ“āϝāĻŧāĻžāϝāĻŧ!

āĻŦāĻ›āϰ āĻŦāĻžāϰ⧋āϰ āĻĸā§āϝāĻžāĻ‚āĻĄāĻŧāĻž āĻŽā§‡āϝāĻŧ⧇āϟāĻž āĻĒāϰāĻŋāϚāϝāĻŧ⧇ āĻ•āĻžāĻ—āϜ āϕ⧁āĻĄāĻŧāĻŋ
āĻ“āχāϤ⧋ āϛ⧁āϟāϛ⧇ āϚāϞāĻ¨ā§āϤ āϰ⧇āϞ⧇āϰ āĻĒāĻžāĻļ āĻ˜ā§‡āρāϏ⧇ āĻ˜ā§‡āρāϏ⧇;
āϏ⧁āϝ⧋āĻ— āĻļāϝāĻŧāϤāĻžāύāĻŋ āϕ⧋āύ⧋ āĻŦāĻ¸ā§āϤāĻŋāϰ āϛ⧋āρāĻĄāĻŧāĻž
āĻŽā§āĻ–āĻŽāĻŖā§āĻĄāϞ⧇ āĻ›āĻžāĻĒāĻŋāϝāĻŧ⧇ āĻĻāĻŋāϝāĻŧ⧇āϛ⧇ āĻāĻ•āĻŽā§āĻ ā§‹ āϞāĻžāϞ āφāĻŦāĻŋāϰ!
āĻāϏāĻŦ⧇āϰ āĻŽāĻžāύ⧇ āĻ•āĻŋ āĻļ⧁āϧ⧁ āĻšāĻžāϏāϤ⧇āχ āϜāĻžāύ⧇?

āϛ⧇āρāĻĄāĻŧāĻž āϚāĻžāρāĻĻ āĻ—āϰāĻŽ āĻ­āĻžāϤ⧇āϰ āφāϕ⧁āϞāĻŋ āĻŦāĻŋāϕ⧁āϞāĻŋ
āĻĒ⧇āĻŸā§‡āϰ āĻ–āĻŋāĻĻ⧇āϟāĻžāχ āĻ•āĻŦāĻŋāϤāĻž,
āϚāĻŋāĻŦ⧁āĻ• āĻĸāϞ⧇ āϭ⧇āϏ⧇ āϝāĻžāĻšā§āϛ⧇ āĻŦāĻŋāĻļā§āĻŦ āϚāϰāĻžāϚāϰ!

āĻŽā§‡āĻĒ⧇ āĻ•āĻĨāĻž āĻŦāϞ⧋ āĻšā§‡ āϏāĻžāĻ™ā§āĻ—āĻžā§Ž

āĻŦāϝāĻŧāϏ āĻšā§Ÿā§‡āϛ⧇ āϰ⧋āϜāĻ—āĻžāϰāĻ“ āĻ•āĻŽ āĻŽā§‡āĻĒ⧇
āĻ•āĻĨāĻž āĻŦāϞ⧋ āĻšā§‡ āϏāĻžāĻ™ā§āĻ—āĻžā§ŽāĨ¤
āϏāĻŽāϝāĻŧ āϭ⧇āϙ⧇ āĻ—āĻĄāĻŧ⧇ āĻĻāĻŋāĻšā§āϛ⧇ āĻŦāĻŋāĻ­āĻžāϜāύ
āĻŽāĻŋāĻļāĻŋāϝāĻŧ⧇ āϜāϞāĻĻ⧁āϧ āĻāĻ• āĻ•āϰ⧇ āĻĻ⧇āĻŦ⧇
āϤ⧁āĻŽāĻŋāϤ⧋ āĻāĻ–āύ āĻāĻŽāύ āĻŽāϰāĻĻ āύāĻ“?

āϏāĻ‚āϏāĻžāϰāϟāĻž āϚāĻžāϞāĻŋāϝāĻŧ⧇āϛ⧋ āĻ­āϰāĻž āĻļā§āϰāĻžāĻŦāϪ⧇
āϏ⧇ āĻāĻ• āϏāĻŽāϝāĻŧ āĻ›āĻŋāϞ āĻŦāĻŸā§‡,
āφāϞ āĻ•āĻžāϟāϛ⧋ āϤ⧁āĻŽāĻŋ āĻĒ⧁āρāϤāϛ⧋ āĻ­āĻžāϞ⧋āĻŽāĻ¨ā§āĻĻ
āϏ⧁āĻ—āĻ¨ā§āϧāĻŋāϰ āϧāĻžāύāϚāĻžāϰāĻž!
āĻĢāϞāύ⧇ āĻŦāĻžāĻĄāĻŧāϞ⧇ āϰ⧋āϜāĻ—āĻžāϰ āĻšāĻŦ⧇ āĻĻ⧁āĻĒāϝāĻŧāϏāĻž āĻŦ⧇āĻļāĻŋ
āφāĻ¤ā§āĻŽā§€āϝāĻŧāϜāύ āĻāϏ⧇āϛ⧇ āϏāĻŦāĻžāχ āĻ­ā§€āώāĻŖ āϖ⧁āĻļāĻŋ!

āϏ⧇ āϜāĻŽāĻŋ āϗ⧇āϞ⧋ āϕ⧋āϞāĻŋāϝāĻŧāĻžāϰāĻŋāϤ⧇
āĻāĻ–āύ āĻĄā§āĻĄā§ āωāĻĄāĻŧāĻžāĻšā§āϛ⧋ āϘ⧁āĻĄāĻŧāĻŋ!
āϜāĻŽāĻžāύ⧋ āĻĒāϝāĻŧāϏāĻžāϝāĻŧ āĻŦāĻžāϜāĻžāϰ āĻĨ⧇āϕ⧇ āĻ•āĻŋāύāϛ⧋ āϚāĻžāϞ
āϏāĻŽāϝāĻŧ⧇āĻ“ āϘāϟāϛ⧇ āϟāĻžāύāĻžāϟāĻžāύāĻŋ

āĻŽā§‡āĻĒ⧇ āĻ•āĻĨāĻž āĻŦāϞ⧋ āĻšā§‡ āϏāĻžāĻ™ā§āĻ—āĻžā§Ž

āĻ•āĻ–āύ⧋ āĻ•āĻ–āύ⧋

āφāĻŽāĻžāϤ⧇ āφāĻŽāĻŋ āύ⧇āχ āĻšāϝāĻŧ āĻ•āĻ–āύ⧋ āĻ•āĻ–āύ⧋

āϏ⧁āĻ–āĻžāύ⧁āĻ­ā§‚āϤāĻŋāϰ āφāĻļā§āϚāĻ°ā§āϝ āϊāĻ°ā§āĻŽāĻŋāϤ⧇ āĻ­āĻžāϏāϞ⧇
āĻĄā§āĻŦāϞ⧇ āĻ…āϤāϞ āĻ—āĻ­ā§€āϰ,
āĻšāϝāĻŧāϤ⧋āĻŦāĻž āĻļā§€āϤāĻāĻĄāĻŧ⧇ āωāĻĄāĻŧ⧁āĻ•ā§āϕ⧁ āĻļāϰāĻŽ āĻŦāĻšāύ
āĻ…āĻĒ⧇āĻ•ā§āώāĻžāϰ āĻĻāĻŋāύāĻ—ā§‹āύāĻž āĻšāϞ⧋ āϰ⧇ āĻ…āĻŦāϏāĻžāύ
āĻ…āĻŦāĻ—āĻžāĻšāύ⧇ āύ⧇āĻŽā§‡ āĻšāĻžāϤāĻ›āĻžāύāĻŋ āϰ⧇āϖ⧇ āĻĄāĻžāĻ•āϛ⧇ āϕ⧋āύ⧋ āωāĻ°ā§āĻŦāĻļā§€!

āĻāϏ⧋ āĻšā§‡ āϕ⧁āϟ⧁āĻŽā§āĻŦ āĻāϏ⧋ āĻ—ā§ƒāĻšā§‡ āĻĒā§‚āϰāĻŋāϤ⧇ āĻĒā§‚āĻ°ā§āĻŖāϤāĻž
āϏ⧁āĻĻāĻšāĻžāϰ āφāϰ āĻ•āϤāϟ⧁āϕ⧁ āύ⧇āĻŦ⧇āχāĻŦāĻž āĻŦ⧇āĻļāĻŋ
āϏāĻŽāϝāĻŧāϤ⧋ āĻāĻ–āύ āφāĻŽāĻžāϰ āĻĒāĻžāρāĻ•āĻžāϞ āĻĢ⧇āϞ⧇ āχāϞāĻŋāĻļ āϛ⧁āρāχ!

āφāϞ⧋āϰ āĻ­ā§‹āϰ āϖ⧁āĻļāĻŋ āĻŦāϝāĻŧ⧇ āφāύ⧇
āϝ⧇āĻŽāύ āύāĻŋāϝāĻŧā§‹āĻ— āϚāĻŋāĻ āĻŋ!
āĻŽā§‡āϘ āĻŦāĻžāϞāĻŋāĻ•āĻžāϰ āĻ…āϞāϕ⧇ āϗ⧁āρāĻœā§‡ āĻĻ⧇āϝāĻŧ āĻ•āĻĻāĻŽā§āĻŦ āĻŽāĻžā§āϜāϰ⧀
āĻ…āύ⧁āϰāĻžāϗ⧇ āϰāĻžāχ āĻ˜ā§‹āĻŽāϟāĻž āϠ⧇āϞ⧇ āĻšā§‡āϏ⧇ āĻĢ⧇āϞ⧇ ‘āĻ§ā§āĻ¯ā§‡ā§Ž! ‘

āĻ¸ā§āĻŦāĻĒā§āύ⧇āϰ āϭ⧇āϤāϰ āϘ⧁āĻŽā§‡āϰ āϭ⧇āϤāϰ āϤāĻžāĻšāϞ⧇āĻ“ āϏāĻ‚āϞāĻžāĻĒ
āύāĻž āϜāĻĄāĻŧāĻŋāϝāĻŧ⧇ āϧāϰāĻž āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻ…āĻĻ⧃āĻļā§āϝ āĻ•ā§āϝāĻžāĻŽā§‡āϰāĻžāϝāĻŧ,
āϜāϞāĻ›āĻŦāĻŋ āĻšāϝāĻŧ⧇ āϜāĻžāϗ⧇ āĻĒ⧁āϞāĻ•āĻŋāϤ āĻ‰ā§ŽāϏāĻŦ āĻŽāĻšāĻĄāĻŧāĻž!

āĻŦāϰ⧁āĻŖ āϚāĻ¨ā§āĻĻā§āϰ āĻĒāĻžāϞ | Barun Chandra Pal

May Day History Review | āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ• āĻŽā§‡ āĻĻāĻŋāĻŦāϏ

Masi maa | āĻŽāĻžāϏāĻŋāĻŽāĻž | āĻĒā§āϰāĻĻā§€āĻĒ āĻŽāĻŖā§āĻĄāϞ

Tahiya lagi besha | āϤāĻžāĻšāĻŋāϝāĻŧāĻž āϞāĻžāĻ—āĻŋ āĻŦ⧇āĻļ | āĻ…āĻ­āĻŋāϜāĻŋā§Ž āĻĒāĻžāϞ

Alochanai Fera | āφāϞ⧋āϚāύāĻžāϝāĻŧ āĻĢ⧇āϰāĻž | āĻļāĻ“āĻ•āϤ āύ⧂āϰ

Shabdodweep Web Magazine | Bangla Poetry Quotes | Barun Chandra Pal

Bangla poetry has a rich tradition of expressing profound thoughts, emotions, and cultural nuances. One of the most captivating aspects of this tradition is the powerful Bangla Poetry Quotes that transcend time, connecting readers to the heart of Bengali culture. Whether it’s love, sorrow, or philosophy, Bengali poetry brings words to life in a way that resonates with everyone.

If you are a lover of literature or someone who appreciates the depth of emotions captured in verse, then Bangla Kobita (Bangla poetry) is an experience you must explore. From the timeless classics to modern-day expressions, Bangla quotes in poetry have always been a source of inspiration for millions.

At Shabdodweep Web Magazine, we proudly publish Bangla poetry and Bangla Kobita that not only reflect our literary heritage but also feature fresh voices. One such voice is Barun Chandra Pal, a talented poet whose works are featured regularly on our platform. His Bangla poems explore themes of love, loss, and hope, beautifully encapsulating the essence of Bengali culture through his words.

This article will delve into the allure of Bangla Poetry Quotes, why they matter, and how they can touch the soul. Read on to discover the magic behind Bangla poetry and quotes, and how Shabdodweep Web Magazine continues to enrich this tradition.

The Beauty of Bangla Poetry Quotes

Bangla poetry quotes are more than just words strung together; they carry a legacy. The beauty of Bengali poetry lies in its depth and ability to capture complex human emotions in a few lines. Whether it is a quote about love, the passage of time, or the struggles of life, each Bangla quote speaks to the reader on a personal level.

The language itself plays a significant role in making Bangla Kobita stand out. Bengali is known for its lyrical quality, and this is reflected in the poetry, which flows naturally and resonates with readers. Bangla Poetry Quotes often evoke emotions of nostalgia, joy, and sorrow, bringing to life what words alone may fail to express.

One of the distinguishing features of Bengali poetry is its ability to communicate profound ideas with simplicity. Famous poets like Rabindranath Tagore, Kazi Nazrul Islam, and Jibanananda Das have left behind a treasure trove of Bangla poetry quotes that continue to inspire poets and readers today. These Bangla poems capture the essence of Bengali culture, history, and philosophy in ways that are timeless.

The Influence of Barun Chandra Pal in Bangla Poetry

Among the contemporary voices that are shaping the world of Bangla poetry, Barun Chandra Pal stands out. As a poet and contributor to Shabdodweep Web Magazine, his Bangla poems explore the themes of human connection, nature, and the spiritual realm. Barun’s Bangla poetry quotes are deeply introspective and philosophical, making them a favorite among those who enjoy reading about the complexities of life.

His works often use simple yet profound language to discuss universal topics that touch the hearts of readers. Whether it’s the beauty of nature, the longing for lost love, or the deep questions of existence, Barun’s words resonate deeply. You can find many of his Bangla poetry quotes and Bangla Kobita published regularly on Shabdodweep Web Magazine.

At Shabdodweep, we believe in providing a platform for emerging poets like Barun Chandra Pal, allowing them to share their works with the world. Our magazine regularly features Bangla Kobita, short stories, and novels that showcase the diversity and depth of Bengali literature. We invite you to explore our collections and immerse yourself in the world of Bangla poetry.

Why Bangla Poetry Quotes Matter

Bangla Poetry Quotes matter because they offer a mirror to the Bengali soul. They reflect the values, dreams, and struggles of the people. Bengali literature, through Bangla Kobita, provides an unfiltered view of the world around us. The quotes that emerge from these poems become a source of wisdom, comfort, and inspiration.

Cultural Preservation: Bangla poetry helps preserve the Bengali culture, traditions, and language for future generations. Bangla poetry quotes act as cultural artifacts that keep the spirit of Bengal alive.

Emotional Expression: Whether you’re experiencing joy, pain, or contemplation, Bangla quotes offer a way to express emotions in their purest form. These quotes allow readers to connect deeply with their own experiences and with the poet’s journey.

Philosophical Reflection: Many Bangla poetry quotes delve into deep philosophical reflections on life, existence, and the universe. These quotes can challenge your thinking, encouraging introspection and personal growth.

Universality: Although Bangla Kobita is rooted in Bengali culture, the themes explored in these poems – such as love, loss, and human nature – are universal. This makes Bangla quotes resonate with people across the world, regardless of their background.

Explore Bangla Poetry at Shabdodweep Web Magazine

If you are passionate about Bangla poetry and Bangla Kobita, Shabdodweep Web Magazine is the perfect place for you. Our platform is dedicated to showcasing the finest Bangla poems and Bangla quotes that capture the essence of life, love, and the human experience. Through our magazine, you can explore the rich literary tradition of Bengal, discover contemporary poets like Barun Chandra Pal, and immerse yourself in timeless Bengali culture.

Join us at Shabdodweep Web Magazine as we continue to celebrate the beauty of Bangla poetry and preserve its place in the modern literary world. Read, explore, and let the power of Bangla Poetry Quotes move you.

FAQ About Bangla Poetry Quotes

  1. What are Bangla Poetry Quotes?
    Bangla Poetry Quotes are powerful lines or verses from Bangla poems that convey deep emotions, thoughts, or philosophies. These quotes are often drawn from the rich tradition of Bengali literature and reflect the cultural essence of Bengal.
  2. Where can I read Bangla Poetry Quotes?
    You can explore a wide range of Bangla poetry and Bangla quotes at Shabdodweep Web Magazine, where we publish both classic and contemporary works, including Bangla Kobita by talented poets like Barun Chandra Pal.
  3. Who is Barun Chandra Pal?
    Barun Chandra Pal is a renowned poet featured on Shabdodweep Web Magazine. His works focus on the beauty of nature, the complexities of human emotion, and philosophical reflections. His Bangla poetry quotes resonate with readers for their introspective nature.
  4. How does Shabdodweep Web Magazine contribute to Bangla poetry?
    At Shabdodweep Web Magazine, we publish a variety of Bangla poetry, including works by contemporary poets like Barun Chandra Pal. We are committed to preserving and promoting Bengali literary traditions through Bangla Kobita and Bangla quotes.
  5. Can I submit my own Bangla poetry to Shabdodweep Web Magazine?
    Yes! Shabdodweep Web Magazine welcomes emerging poets. If you have original Bangla poetry or Bangla quotes, you can submit them to our platform for a chance to be featured.

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